Passageways
E. C. Traganas
‘I'd rather there wasn't an afterlife, really.
I'd much rather not be me for thousands of years’
— William Golding
The hall was dark, a solitary lightbulb
swaying uncertainly like a dowsing rod
searching vainly for water.
‘Don’t touch the walls,’ my mother warned,
gripping my hand and leading me
up the winding flight of stairs
unwrapping scented bandages
of mandrake root and talcum powder
clinging in the air with each coiling step
springing us higher, higher, drowning out
the whisper of faint shards of light
The glass door opened and there she stood,
the grieving widow, hair an unkempt halo
of spun sugar and faded autumn straw.
‘Look away,’ my mother’s warning eyes,
as if to shield her vestal daughter
from the sting of Death.
But I saw it anyway, the bloodied cleaver
on the floor hasping the widow’s wounded heart
in two like a half-eaten pastry shell.
‘He’s gone,’ the woman said, ‘gone away forever.’
But I saw him anyway and wondered why
she couldn’t grasp his hand stretched out to her,
his shadowy face so close, a hologram
of unperceived desire.
And the daffodils were in spring bloom
emerging through the carpet, soft green sunshine
blinding twirling streaks of fragrance in the air.
Then the ceiling split apart, the sky a pastel print
of apricot and burning gold, the fragrance
of mimosa fronds, a sugar cotton-candy scent
ineffable and veiled.
Even the snake plant by the door
a token warden standing guard to
drive away the hex and jinx of bad intent
increased in girth, its palms spread open
humming songs of adoration and salute.
I clasped my mother’s hands but soon
they, too, began to twine themselves
in tendrous vesicles, fingers pushing upwards
piping hymn tunes on a silver flageolet
eyes in open wonderment — a peony
of pinkish blush, midsummer green
a jasmine apple of crushed grass
ascending higher in a cloud of prayer.
Anywhere but here, I vowed, catching my breath
and pulled myself away, spiraling downwards
each decaying flight of stairs leading closer,
deeper, into the secure narcotic
of familiar darkness and despair.
AUTHOR BIO
Author of the debut novel Twelfth House, and Shaded Pergola, a collection of haiku and short poetry featuring her original illustrations, E.C. Traganas has published in The San Antonio Review, The Brussels Review, Story Sanctum, The Society of Classical Poets, Amethyst Review, and over a hundred other journals. E. C. Traganas enjoys a professional career as a Juilliard-trained concert pianist & composer, has held over 40 national exhibitions of her artwork, and is the founder/director of Woodside Writers, a NYC-based literary forum. www.elenitraganas.com
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