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Turbulence

Craig White

Driving this back country road, you bother a sheen of crows

on a half-flattened wallaby carcass – its insides steaming, marbled,

glistening. Flocking indolently into the needlepoint light,

the crows updraft tufts of fur – motes of memory: under the pine trees,

and just a slip of a child, you shot the sulphur-crested cockatoo

– its uninjured wing flailing – as it plummeted, crashing into branches.

Unhinged, the crackle of cockatoos screeched around the bird

with the broken wing flapping in circles on the pine-needle earth.

(You had meant, possibly, to shoot a lead slug into the crown

of the tree to detonate them into the sky.) The cockatoos were suddenly

beyond the pines – dishevelled wisps of white; their shrieking a din

with ragged claws, and you, buckling. You stilled your sweaty hands

and shot the sulphur-crested cockatoo in the head – the whump

and the dark-marble eye, set in its pale blue ring of skin, had you

in a cold sweat, retching. Picking up this limp thing by its broken wing

– its feathers downy and powdery and matted in your clammy hand –

you trudged home, sobbing. The winding road: your laundered conscience

hung out to dry; your memory, one-third a shadow, two-thirds a sentry.

AUTHOR BIO

Craig White is a midlife emerging writer. His deep connection to Lutruwita/Tasmania’s landscapes has shaped his worldview and his creative work. A seasoned bushwalker, he champions the intrinsic worth of the natural world. Craig has had eight acceptances (poetry, fiction, creative nonfiction) and had three works published in Australian literary journals: Cordite (Gusts | Cordite Poetry Review), Quadrant (Craig White - Quadrant), and Island (The water’s edge – by Craig White | Australian Literary Arts Magazine | ISLAND). He was the recipient of an Island magazine poetry mentorship in 2025. In 2026, Craig was shortlisted for the Minds Shine Bright Places Poetry Prize, open to writers worldwide, and for the Grieve Project, open to Australian and New Zealand residents. He loves the occupation and preoccupation of writing poems because, as Robert Frost said, “Poetry is when an emotion has found its thought, and the thought has found words.”

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